Toxic plumes, spy balloons and other spectacles
Last summer’s blockbuster slate was peppered with the usual uninspired dreck one can expect from the charnel houses of Hollywood, with the only bright spots being the nostalgia-fest “Top Gun: Maverick” and the latest social-horror from Jordan Peele, “Nope.” The long-awaited sequel to the ‘80s’ classic made it to the silver screen without the late Tony Scott or Don Simpson, but was nonetheless an inspired throwback that proved how starved audiences had become for some pure undistilled, unabashed, and unashamed blockbuster Americana. The other is about a giant white ...